The Gilded Ascent, a figure climbing a staircase through a golden mosaic spiral, Klimt style gold wall art, Art Nouveau print by RAGANA Design
The Gilded Ascent as a framed print on a white wall – Klimt style gold wall art, Art Nouveau print by RAGANA Design
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KLIMT REIMAGINED

The Gilded Ascent

Klimt Reimagined on the Golden Stair

A staircase winds up through a whirl of gold tesserae, and one small figure is climbing it. The spiral is built on the 1.618 ratio; every band of mosaic steps outward by the same proportion.

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It reads as a story before it reads as a pattern — which is why it opens the collection. The blues and reds scattered through the gold keep the piece from flattening into ornament.

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Details
  • Museum-grade giclee print, portrait format 30 x 45 cm up to 60 x 90 cm
  • Printed to order and shipped worldwide, bare or framed
  • Printable digital download, 8,960 x 13,440 px
  • Built on the 1.618 golden ratio, with the Fibonacci grid as the frame
How large can I print it?

The file is around 9,000 px on the long edge. That prints crisply to about 75 cm on the long edge at gallery quality, and to 130–170 cm at the distance you look at a picture over furniture. Sizes, paper and framing, in detail →

Which paper or surface?

Gold on dark grounds wants a matte or satin fine-art paper (200–310 gsm), or aluminium for humid rooms; glossy photo paper turns the black into a mirror. The pale works also take satin and baryta papers.

Which licence do I need?

Personal (€34) covers your own home and gifts. Any business or space open to the public — a spa, clinic, hotel, office, restaurant — needs the commercial licence (€377, one venue, no renewal). The venue guide →

How big, and how high, on my wall?

Width of the furniture beneath divided by 1.618; centre of the picture at 150 cm from the floor. How to hang wall art using the golden ratio →

More from Klimt Reimagined

See the whole collection →

FURTHER READING
Klimt and the golden ratioGuideThe golden ratio in interior design: where the art goes, and whyGuideGold and darkness: why quiet rooms need contrastJournal