Art for interior designers: golden ratio wall art that fits the plan.

Why designers specify these works

Most art for interior design projects is chosen for colour and size. The golden ratio adds a third thing: a composition that agrees with the room. A spiral drawn on the 1.618 grid sits inside a wall divided by the same ratio — the eye lands where the plan says it should. That is why designers who work with proportion tend to find these works easier to place than a painting bought for its subject.

There are 44 released works across twelve collections, from the white and pearl series for pale, quiet rooms to the gold-on-black Vault editions for a bar or a lounge, and the construction-drawing works — Sovereign Ledger, Chronos Equation, Celestial Blueprint — for anywhere that should say “precision”. All of them share one palette logic (gold, navy, teal, ivory, black), so a series across several rooms holds together without being repetitive.

What you get as a trade client

• Mock-ups in two days. Send a photo of the wall and its width; I return three works fitted to the wall at scale, so you can drop them into the client presentation.
• Files that survive large-format printing. 9,000 px on the long edge as standard, up to 12,750 px on the largest works. At lobby viewing distances that holds to two metres and beyond on aluminium, acrylic or canvas.
• One commercial licence per project, €377 per work. It covers the venue for its lifetime, any size, any surface, any number of prints within that venue. No per-print royalty, nothing to renew.
• A certificate for the client file. Work, licensee, venue, permitted uses — signed. It is what procurement, a franchise audit or a hotel operator will ask you for.
• Multi-room projects. From three works in one project, ask for the project rate; a chain or an operator with several locations licenses each venue.
• Commissions. A work built to your wall's exact dimensions and palette, from €2,584, about three weeks.

Placing the work

Two habits make these works sit well. First, hang at the golden section of the wall, not at its centre — the composition already leans that way, and the room reads as considered rather than symmetrical. Second, size by the wall: width divided by 1.618 is the largest comfortable long edge, and the size table in centimetres gives the usual answers for corridors, receptions and rooms. Framing is yours to specify; the files are supplied without borders so a printer can add bleed or a float edge.